BZ-10.2: Difference between revisions

From Thesaurus Inscriptionum Raeticarum
Jump to navigationJump to search
No edit summary
No edit summary
 
(9 intermediate revisions by 2 users not shown)
Line 1: Line 1:
{{inscription
{{inscription
|reading=?
|reading=ṭṇ
|reading_original=?
|reading_original={{c||N}}{{c|T|T3}}
|direction=unknown
|direction=sinistroverse
|letter_height_min=9 cm
|letter_height_min=9 cm
|word_number=0
|word_number=0
|line_number=0
|line_number=0
|script=unknown
|script=North Italic script
|alphabet=Sanzeno alphabet
|language=unknown
|language=unknown
|meaning=unknown
|meaning=unknown
Line 13: Line 14:
|craftsmanship=engraved
|craftsmanship=engraved
|condition=damaged
|condition=damaged
|sigla_pid=196 b
|sigla_pid=196 (b)
|sigla_ir=4 b
|sigla_ir=4 (b)
|sigla_mancini=BZ-13 b
|sigla_mancini=BZ-13 (b)
|sigla_mlr=289 (b)
|sigla_tm=218532
|source=Schumacher 2004: 181, 341 f.
|source=Schumacher 2004: 181, 341 f.
|checklevel=1
|checklevel=2
|problem=Literatur
|problem=Literatur; Anpassung der Zeichnung notwendig; Markey: PC Lunz eher Grenzstein in sekundärer Verwendung
|disambiguation=BZ-10
|disambiguation=BZ-10
}}
}}
Line 24: Line 27:
First published in '''{{bib|CII}} 24'''. Autopsied by TIR in November 2013.
First published in '''{{bib|CII}} 24'''. Autopsied by TIR in November 2013.


Pictures in {{bib|Sulzer 1855}}: Tav. IX (drawing), '''{{bib|Schneller 1866}}: Taf. II, Fig. 3''', {{bib|CII}}: tab. II (drawing = {{bib|AIF I}}: Taf. II,36 A), {{bib|Giovanelli 1876}}: Taf. II, No. 4 (drawing), '''{{bib|Oberziner 1883b}}: tab. XX''', {{bib|IR}}: Tav. XXXVI c (photo) and {{bib|LIR}} (drawing).
Pictures in {{bib|Sulzer 1855}}: Tav. IX (drawing), '''{{bib|Schneller 1866}}: Taf. II, Fig. 3''', {{bib|CII}}: tab. II (drawing = {{bib|AIF I}}: Taf. II,36 A), {{bib|Giovanelli 1876}}: Taf. II, No. 4 (drawing), {{bib|Oberziner 1883b}}: Tav. XX, 3 (drawing), {{bib|IR}}: Tav. XXXVI c (photo), {{bib|LIR}} (drawing), {{bib|Marchesini 2014b}}: 202 and Taf. 2b (photos), Taf. 4 (reproduction of the drawing made by head of excavation Ciprian Pescosta in 1854/55), {{bib|MLR}} (photo).


Hardly readable due to weathering. Autopsy was impeded by the fact that the slab is currently on exhibition, fixedly attatched to the ground with its back to a wall. The shapes reproduced in older drawings could to some extent be ascertained, including the unequalness of the scratches as seen on {{bib|IR|Mancini}}'s photo – some deep and broad, some more fine and shallow and white in colour (see drawing). Though one may assume that the stone was in better condition when examined by the scholars of the 19<sup>th</sup> century, the relevance of the white lines is doubtful. Though the deeper scratches are hardly unintentional, no further traces can (in the present circumstances) be made out in their vicinity.  
Hardly legible due to weathering and the fact that this side of the slab has not been smoothed ({{bib|Marchesini 2014b}}: 208). Autopsy was impeded by the fact that the slab is currently on exhibition, fixedly attatched to the ground with its back to a wall, but a thorough examination of both sides of the slab was recently conducted by Simona {{bib|Marchesini 2014b|Marchesini}}. The photograph provided in the publication confirms both that no further traces can be made out in the vicinity, and our own suspicions concerning the unequalness of the traces as seen on {{bib|IR|Mancini}}'s photo – some deep and broad, some more fine and shallow and white in colour. We agree with Marchesini on the latter being hardly old, and of no relevance to the reading. The eroded lines are best interpreted as the letters {{c||N}}{{c||T3}}, as seen by Marchesini (p. 208). They might be marks of some description ({{bib|Marchesini 2014b}}: 204), or possibly correspond to the beginning of [[index::BZ-10.1|the inscription proper]] on the other side of the slab – the writer may have commenced the inscription, then decided that he hadn't planned the layout correctly (less probable, seeing as the surface is not smoothed), or tried his instrument in an inconspicuous spot before starting on the text.


Further references: {{bib|Sulzer 1855}}: 307, '''{{bib|Weber 1861}}: 36''', '''{{bib|Schneller 1866}}: 198 f.''', {{bib|Giovanelli 1876}}: 97, '''{{bib|Pichler 1880}}: 41 (no. 5)''', '''{{bib|Oberziner 1883b}}: 150''', {{bib|AIF I}} 36, {{bib|Battisti 1944}}: 227 f., '''{{bib|Pisani 1953}} 321'''.
Further references: {{bib|Sulzer 1855}}: 307, {{bib|Weber 1861}}: 36–37, '''{{bib|Schneller 1866}}: 198 f.''', {{bib|Giovanelli 1876}}: 97, '''{{bib|Pichler 1880}}: 41 (no. 5)''', '''{{bib|Oberziner 1883b}}: 150''', {{bib|AIF I}} 36, {{bib|Battisti 1944}}: 227 f., '''{{bib|Pisani 1953}} 321''', {{bib|Marchesini 2014b}}.
{{bibliography}}
{{bibliography}}

Latest revision as of 16:32, 13 December 2021

Inscription
Transliteration: ṭṇ
Original script: N sT3 s

Object: BZ-10 slab (porphyry)
(Inscriptions: BZ-10.1, BZ-10.2)
Position: back, right-hand side"right-hand side" is not in the list (front, back, top, bottom, inside, outside, neck, shoulder, foot, handle, ...) of allowed values for the "position" property.
Script: North Italic script (Sanzeno alphabet)
Direction of writing: sinistroverse
Letter height: 9 cm
Craftsmanship: engraved
Current condition: damaged
Archaeological culture: Iron Age [from object]
Date of inscription: 5th–2nd centuries BC [from object]
Date derived from: archaeological context [from object]

Language: unknown
Meaning: unknown

Alternative sigla: PID 196 (b)
IR 4 (b)
LIR BZ-13 (b)
MLR 289 (b)
TM 218532
Sources: Schumacher 2004: 181, 341 f.

Images

Commentary

First published in CII 24. Autopsied by TIR in November 2013.

Pictures in Sulzer 1855: Tav. IX (drawing), Schneller 1866: Taf. II, Fig. 3, CII: tab. II (drawing = AIF I: Taf. II,36 A), Giovanelli 1876: Taf. II, No. 4 (drawing), Oberziner 1883b: Tav. XX, 3 (drawing), IR: Tav. XXXVI c (photo), LIR (drawing), Marchesini 2014b: 202 and Taf. 2b (photos), Taf. 4 (reproduction of the drawing made by head of excavation Ciprian Pescosta in 1854/55), MLR (photo).

Hardly legible due to weathering and the fact that this side of the slab has not been smoothed (Marchesini 2014b: 208). Autopsy was impeded by the fact that the slab is currently on exhibition, fixedly attatched to the ground with its back to a wall, but a thorough examination of both sides of the slab was recently conducted by Simona Marchesini. The photograph provided in the publication confirms both that no further traces can be made out in the vicinity, and our own suspicions concerning the unequalness of the traces as seen on Mancini's photo – some deep and broad, some more fine and shallow and white in colour. We agree with Marchesini on the latter being hardly old, and of no relevance to the reading. The eroded lines are best interpreted as the letters N sT3 s, as seen by Marchesini (p. 208). They might be marks of some description (Marchesini 2014b: 204), or possibly correspond to the beginning of the inscription proper on the other side of the slab – the writer may have commenced the inscription, then decided that he hadn't planned the layout correctly (less probable, seeing as the surface is not smoothed), or tried his instrument in an inconspicuous spot before starting on the text.

Further references: Sulzer 1855: 307, Weber 1861: 36–37, Schneller 1866: 198 f., Giovanelli 1876: 97, Pichler 1880: 41 (no. 5), Oberziner 1883b: 150, AIF I 36, Battisti 1944: 227 f., Pisani 1953 321, Marchesini 2014b.

Bibliography

AIF I Carl Pauli, Altitalische Forschungen. Band 1: Die Inschriften nordetruskischen Alphabets, Leipzig: 1885.
Battisti 1944 Carlo Battisti, "Osservazioni sulla lingua delle iscrizioni nell'alfabeto etrusco settentrionale di Bolzano", Studi Etruschi 18 (1944), 199–236.
CII Ariodante Fabretti, Corpus inscriptionum italicarum, Torino: 1867. (2 volumes)
Giovanelli 1876 Benedetto Giovanelli, "Die Rhätisch-Etruskischen Alterthümer entdeckt bei Matrei im Mai 1845", Zeitschrift des Ferdinandeums für Tirol und Vorarlberg 3/20 (1876), 45–99.
IR Alberto Mancini, "Iscrizioni retiche", Studi Etruschi 43 (1975), 249–306.
LIR Alberto Mancini, Le Iscrizioni Retiche [= Quaderni del dipartimento di linguistica, Università degli studi di Firenze Studi 8–9], Padova: Unipress 2009–10. (2 volumes)
Marchesini 2014b Simona Marchesini, "Über die rätische Inschrift aus Pfatten/Vadena im Tiroler Landesmuseum Ferdinandeum, Innsbruck", Wissenschaftliches Jahrbuch der Tiroler Landesmuseen 7 (2014), 202–217.