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{{inscription
{{inscription
|reading=? iθθi
|reading=? space iθθi
|reading_original=?
|reading_original={{c||I}}{{c||Θ}}{{c||Θ}}{{c||I}} ?
|direction=unknown
|direction=ambiguous
|sign_number=4
|sign_number=4
|word_number=0
|word_number=0
Line 19: Line 19:
}}
}}
== Commentary ==
== Commentary ==
First published in '''{{bib|Molon 1881}}: 150'''. Lost.
Images in {{bib|Fiorelli 1881}}: 154 (drawing), '''{{bib|Oberziner 1883b}}: 163''' (drawing = {{bib|AIF I}}: Taf. II, 31), {{bib|Nalli 1895}}: 258 (drawing).
Fiorelli's drawing presents abstract letters rather than a facsimile, and Oberziner's is simply a copy of Fiorelli's; Nalli's drawing appears to be the most authentic one available. The sequence on the left can be identified as the sequence {{c||I}}{{c||Θ}}{{c||Θ}}{{c||I}}, which reoccurs on ceramic cups from [[index::Bostel]]. The longer sequence on the right may represent an inscription with linguistic content, cp. esp. [[index::AS-15]]. As Whatmough points out, a reading Iota instead of C is likely in both instances of an apparently curved line, as in {{c||I}}{{c||Θ}}{{c||Θ}}{{c||I}}. Apart from that, we prefer not to speculate based on the dubious drawing.
Further references: {{bib|Fiorelli 1881}}: 154 f., {{bib|AIF I}}: no. 31, {{bib|Pellegrini 1915}}: 121 ff., {{bib|Tibiletti Bruno 1978}}: 236.
{{bibliography}}
{{bibliography}}

Revision as of 19:56, 4 November 2015

Inscription
Transliteration: ? iθθi
Original script: I sΘ sΘ sI s ?

Object: AS-2 potsherd (pottery)
Position: unknown
Script: unknown
Direction of writing: ambiguous
Number of characters: 4
Number of lines: 1
Craftsmanship: incised
Current condition: unknown
Date of inscription: 4th–2nd centuries BC [from object]
Date derived from: archaeological context [from object]

Language: unknown
Meaning: unknown

Alternative sigla: PID 217
LIR ROT-1
Sources: Schumacher 2004: 167

Images

Commentary

First published in Molon 1881: 150. Lost.

Images in Fiorelli 1881: 154 (drawing), Oberziner 1883b: 163 (drawing = AIF I: Taf. II, 31), Nalli 1895: 258 (drawing).

Fiorelli's drawing presents abstract letters rather than a facsimile, and Oberziner's is simply a copy of Fiorelli's; Nalli's drawing appears to be the most authentic one available. The sequence on the left can be identified as the sequence I sΘ sΘ sI s, which reoccurs on ceramic cups from Bostel. The longer sequence on the right may represent an inscription with linguistic content, cp. esp. AS-15. As Whatmough points out, a reading Iota instead of C is likely in both instances of an apparently curved line, as in I sΘ sΘ sI s. Apart from that, we prefer not to speculate based on the dubious drawing.

Further references: Fiorelli 1881: 154 f., AIF I: no. 31, Pellegrini 1915: 121 ff., Tibiletti Bruno 1978: 236.

Bibliography

AIF I Carl Pauli, Altitalische Forschungen. Band 1: Die Inschriften nordetruskischen Alphabets, Leipzig: 1885.
Fiorelli 1881 Giuseppe Fiorelli, "VII. Rotzo", Notizie degli Scavi di Antichità (1881), 154–155.
LIR Alberto Mancini, Le Iscrizioni Retiche [= Quaderni del dipartimento di linguistica, Università degli studi di Firenze Studi 8–9], Padova: Unipress 2009–10. (2 volumes)